work
Echo–Tree without roots
| category | Video |
| subject | Beauty, Nature, Landscape |
| tags | installzione, documentazione, albero, mulipulicita |
| minutes | 10 |
| seconds | 42 |
| year | 2022 |
The work is built in island of San Servolo (Venice ), as a site-specific ambient installation.
Through this work, thinking around the elements of trees, roots, branches, breakpoints and protrusions, a new system and model is extended on the normal system,
the occupation of space and the transformation of the way of thinking, the main body replacement between…The echo comes from the American language poet Charles
Bernstein. His poetry presents a strong postmodernity with its illogical language fragments, multi-level rhetorical superposition, parody of classics and
juxtaposition of postmodern elements and quotations. At the same time, it combines the anti-tradition of Taoist philosophy and Taoist aesthetics with American
avant-garde poetry, and endows "No" with profound poetic meaning and aesthetic connotation. In particular, the use of "blank" in "high Tide at Race Point" is the
starting point of the concept of my work. The tree without roots is the interpretation of the "blank" technique, and it also inspires me to understand the spatial
relationship. The line in it is the extension of life and the reverse growth of the rhizome. They touch the space, go back and forth, and form an infinite link of images.
Through this work, thinking around the elements of trees, roots, branches, breakpoints and protrusions, a new system and model is extended on the normal system,
the occupation of space and the transformation of the way of thinking, the main body replacement between…The echo comes from the American language poet Charles
Bernstein. His poetry presents a strong postmodernity with its illogical language fragments, multi-level rhetorical superposition, parody of classics and
juxtaposition of postmodern elements and quotations. At the same time, it combines the anti-tradition of Taoist philosophy and Taoist aesthetics with American
avant-garde poetry, and endows "No" with profound poetic meaning and aesthetic connotation. In particular, the use of "blank" in "high Tide at Race Point" is the
starting point of the concept of my work. The tree without roots is the interpretation of the "blank" technique, and it also inspires me to understand the spatial
relationship. The line in it is the extension of life and the reverse growth of the rhizome. They touch the space, go back and forth, and form an infinite link of images.
