work
Lilith
| category | Installation |
| subject | Nature, Human figure, Abstract |
| tags | esistenza, mappa, mappatura, codice morse, suono, essenza |
| base | 120 cm |
| height | 120 cm |
| depth | 500 cm |
| year | 2025 |
The protagonist of this work is the voice:
a physical and intangible imprint of the self,
a vibration that traverses matter and alters it.
From this arises the question:
where does the voice go?
Within the soul of harmonic steel, in the spirals of suspended springs, the echo of several voices collected in 2024 is preserved.
Each trace has been processed in search of its essential frequency, translated into Morse code and gradually led toward dissolution: a movement toward absence, understood not as absolute emptiness but as a transformation of existence.
The vocal frequencies, one by one, harmonize until they converge into a common frequency, a collective chant destined to become part of the Whole.
Even when the voice dissolves, it continues to act.
In the artist imagination, these voices are watched over by Lilith.
The first woman created by God and later omitted from the narrative becomes here a figure of active silence: an absence that operates, a presence that persists.
It is Lilith who guards the voices and the words, preserving them within the net on which the universe floats, where time and space curve and sound does not extinguish.
Lilith is a sound installation of variable dimensions (approximately 5 × 1.5 m).
Thirteen vocal traces, donated by invitation between February and June 2024, are audible through audio speakers suspended from a network of harmonic steel springs.
Within the work, the voices present echoes, reverberations, and omissions.
Voices by:
Giulio Corda, Elisa Montessori, Domitilla Dardi, Andrea Scazzola, Benedetta Lucherini, Rodolfo Belcastro, Cristallo Odescalchi, Daniela Di Lullo, Anton Giulio Onofri, Ayse Burcin Sonmez, Jacopo Castelnuovo, Alessandra Zucchi, Laura Melidoni.
a physical and intangible imprint of the self,
a vibration that traverses matter and alters it.
From this arises the question:
where does the voice go?
Within the soul of harmonic steel, in the spirals of suspended springs, the echo of several voices collected in 2024 is preserved.
Each trace has been processed in search of its essential frequency, translated into Morse code and gradually led toward dissolution: a movement toward absence, understood not as absolute emptiness but as a transformation of existence.
The vocal frequencies, one by one, harmonize until they converge into a common frequency, a collective chant destined to become part of the Whole.
Even when the voice dissolves, it continues to act.
In the artist imagination, these voices are watched over by Lilith.
The first woman created by God and later omitted from the narrative becomes here a figure of active silence: an absence that operates, a presence that persists.
It is Lilith who guards the voices and the words, preserving them within the net on which the universe floats, where time and space curve and sound does not extinguish.
Lilith is a sound installation of variable dimensions (approximately 5 × 1.5 m).
Thirteen vocal traces, donated by invitation between February and June 2024, are audible through audio speakers suspended from a network of harmonic steel springs.
Within the work, the voices present echoes, reverberations, and omissions.
Voices by:
Giulio Corda, Elisa Montessori, Domitilla Dardi, Andrea Scazzola, Benedetta Lucherini, Rodolfo Belcastro, Cristallo Odescalchi, Daniela Di Lullo, Anton Giulio Onofri, Ayse Burcin Sonmez, Jacopo Castelnuovo, Alessandra Zucchi, Laura Melidoni.
