work
Koyaanisqatsi
| category | Digital art |
| subject | Abstract, Nature, Landscape |
| tags | Koyaanisqatsi, digitalart, particles |
| base | 10 cm |
| height | 10 cm |
| depth | 10 cm |
| year | 2022 |
https://simonemartinotta.com/koyaanisqatsi/
Concept:
(Inspired by the documentary of the same name made in 1982 directed by Godfrey Reggio).
In a world increasingly dominated by a technological-rational approach, Man will end up losing himself and the only way out will be to rebuild society within a totally new context.
New technologies will increasingly tend to want to seek logic and rigor within the chaos of nature and will soon end up transforming the reality that surrounds us into a black and white dimension characterized by forced minimalism and an illusory ever-increasing efficiency.
In such a context, the human being, now depersonalized, will begin a journey in search of his lost identity, an objective that will be achieved exclusively following a process of disintegration that will attempt to erase the indelible imprints left by an obsessive tendency to continuous improvement.
Digital Art, 2022, Simone Martinotta
Concept:
(Inspired by the documentary of the same name made in 1982 directed by Godfrey Reggio).
In a world increasingly dominated by a technological-rational approach, Man will end up losing himself and the only way out will be to rebuild society within a totally new context.
New technologies will increasingly tend to want to seek logic and rigor within the chaos of nature and will soon end up transforming the reality that surrounds us into a black and white dimension characterized by forced minimalism and an illusory ever-increasing efficiency.
In such a context, the human being, now depersonalized, will begin a journey in search of his lost identity, an objective that will be achieved exclusively following a process of disintegration that will attempt to erase the indelible imprints left by an obsessive tendency to continuous improvement.
Digital Art, 2022, Simone Martinotta
