L’ESSENZIALE

The gradual simplification of forms is reflected in his works, always preceded by a continuous study of the line in all its declinations, of the signs and “letters” that emerge from the surfaces thanks to invisible but present crossed traces. Glass, the preferred and most used medium, becomes for the artist a resource with a thousand possibilities, a space on which to impress his own poetic language, free from any preconception and any form of visual condensation. His works appear to the spectator as a non-verbal narration without end, a story not subjugated by pre-established codes but open to free aesthetic experimentation.