work
Prove di Rarefazione su Superfici Bidimensionali in Serie: Black Raw
category | Painting |
subject | Abstract |
tags | |
base | 95 cm |
height | 93 cm |
depth | 7 cm |
year | 2017 |
Assemblage (canvas, paper, cardboard, wood, fabric) on cardboard
This series of works focuses on the treatment that time, be it climatic or cyclical, pours on matter and surface. I have focused on the walls of historic buildings, on the crumbling walls of recent buildings, on the rust and mould that have gradually affected metal sheets, trees, machines and rocks. I find my subjects of inspiration in the world I live in, often in the streets, abandoned, left further to suffer the passing of time. A visualisation of details, glimpses, microscopic views that when joined together and enlarged form places, objects, people and everything that can fit into the field of vision. The aim of this approach is to create the trigger for a conception/reflection (through a visual input of the invisible microworld that constitutes reality) that anything can be unexpectedly different from how it has always appeared: depending on how and where you look, the fills of the field and their constituent elements are in constant motion and constantly changing.
This series of works focuses on the treatment that time, be it climatic or cyclical, pours on matter and surface. I have focused on the walls of historic buildings, on the crumbling walls of recent buildings, on the rust and mould that have gradually affected metal sheets, trees, machines and rocks. I find my subjects of inspiration in the world I live in, often in the streets, abandoned, left further to suffer the passing of time. A visualisation of details, glimpses, microscopic views that when joined together and enlarged form places, objects, people and everything that can fit into the field of vision. The aim of this approach is to create the trigger for a conception/reflection (through a visual input of the invisible microworld that constitutes reality) that anything can be unexpectedly different from how it has always appeared: depending on how and where you look, the fills of the field and their constituent elements are in constant motion and constantly changing.