work
SPOGLIE
category | Sculpture |
subject | Human figure |
tags | anatomia, sculpture, travertino, corpo, body, geografia |
base | 30 cm |
height | 40 cm |
depth | 25 cm |
year | 2022 |
I take nude photos, but I don't know if I should call them nudes. Should I
use a more artistic term like landscapes – Andy Warhol
I started the project thinking about the fotographic concept of the frame: choosing to fotograph an object, part of it or a context of relationship between forms, I decontextualize the obeject itself.
Hence I achieve the power to deprive it of every characterist of an obejct as it is and to give it others:
it is the object that looks at you – Baudrillard
“Spoglie” is a work about association, forms, material.
There are ideas, objects, surfaces that refer the organic nature of the skin and the charm of bodies then also of the power of rocky landscapes alternated by the seduction of the sea waves.
The surface enquired is represented on parts: it’s power is constitute by the carismatic alternance of concave and convex, light and unlight.
This is a reflection on the power of image and on the reaction-allusion leading inside the observer intimacy.
The sculpture is a Persian travertine mixed with onyx and stands on an iron base.
It would like to be the first of a series.
use a more artistic term like landscapes – Andy Warhol
I started the project thinking about the fotographic concept of the frame: choosing to fotograph an object, part of it or a context of relationship between forms, I decontextualize the obeject itself.
Hence I achieve the power to deprive it of every characterist of an obejct as it is and to give it others:
it is the object that looks at you – Baudrillard
“Spoglie” is a work about association, forms, material.
There are ideas, objects, surfaces that refer the organic nature of the skin and the charm of bodies then also of the power of rocky landscapes alternated by the seduction of the sea waves.
The surface enquired is represented on parts: it’s power is constitute by the carismatic alternance of concave and convex, light and unlight.
This is a reflection on the power of image and on the reaction-allusion leading inside the observer intimacy.
The sculpture is a Persian travertine mixed with onyx and stands on an iron base.
It would like to be the first of a series.