work
Vortice 14 Marzo
| category | Digital art |
| subject | Abstract |
| tags | surreal art, abstract art, digital art, contemporary art |
| base | 100 cm |
| height | 100 cm |
| depth | 3 cm |
| year | 2025 |
Vortex – March 14
Metal print
100 × 100 cm
2025
Limited edition of 10
March 14 is not merely a date, but a fracture point.
It marks the moment when the end is declared, yet not fully understood — when something collapses before consciousness can process it. The breakup appears surreal, because that is how it is experienced: impossible, unexpected, especially for the one who never saw it coming.
The vortex embodies this traumatic suspension. An argument, a distorted vision, time frozen at the exact instant of rupture. The colors are muted, almost funerary, petrified, as if emotion had been immobilized in the moment of impact. There is no explosion here — only collapse.
Within the composition appears a diminished male figure, almost childlike. A small man who represents the cowardice of those who lack the courage to speak, to explain, to confront. He embodies ghosting: absence as violence, silence as blame, the refusal to take responsibility after years of relationship and shared history.
This vortex represents rupture in its most literal and brutal sense. Emotions multiply — sadness, disbelief, disorientation. Everything that once felt solid — love, plans, future, the idea of a family — begins to give way.
Through an integrated QR code, the artwork expands into a dynamic narrative. In the generative video, the argument unfolds: the woman and the small male figure confront each other. At a certain point, the man is swallowed by the pedestal on which he had been placed. He disappears. With him, everything fades:
love fades,
shared dreams fade,
a possible future fades,
the very idea of a family fades.
The vortex absorbs everything into darkness.
What remains is the void left by what was never faced.
Metal print
100 × 100 cm
2025
Limited edition of 10
March 14 is not merely a date, but a fracture point.
It marks the moment when the end is declared, yet not fully understood — when something collapses before consciousness can process it. The breakup appears surreal, because that is how it is experienced: impossible, unexpected, especially for the one who never saw it coming.
The vortex embodies this traumatic suspension. An argument, a distorted vision, time frozen at the exact instant of rupture. The colors are muted, almost funerary, petrified, as if emotion had been immobilized in the moment of impact. There is no explosion here — only collapse.
Within the composition appears a diminished male figure, almost childlike. A small man who represents the cowardice of those who lack the courage to speak, to explain, to confront. He embodies ghosting: absence as violence, silence as blame, the refusal to take responsibility after years of relationship and shared history.
This vortex represents rupture in its most literal and brutal sense. Emotions multiply — sadness, disbelief, disorientation. Everything that once felt solid — love, plans, future, the idea of a family — begins to give way.
Through an integrated QR code, the artwork expands into a dynamic narrative. In the generative video, the argument unfolds: the woman and the small male figure confront each other. At a certain point, the man is swallowed by the pedestal on which he had been placed. He disappears. With him, everything fades:
love fades,
shared dreams fade,
a possible future fades,
the very idea of a family fades.
The vortex absorbs everything into darkness.
What remains is the void left by what was never faced.
