work
CUORE ROSSO 2014 – SERIE HEART 2HEART
| category | Sculpture |
| subject | Nature, Human figure, Beauty, Abstract |
| tags | GIANNAMOISE, HEART2HEART, GIANNAMOISEARTE, CUORE ROSSO, BELLEZZA |
| base | 50 cm |
| height | 50 cm |
| depth | 50 cm |
| year | 2014 |
Murano Glass Sculpture -
Single Piece -
The Support is a Plexiglas transparent box -
The heart is one of the recurring themes in Gianna Moise's work.
Hollow hearts made of metal, glass or painted on colorful canvases.
The heart represents the overcoming of the rational dualism of good and evil, to embrace an unlimited positive polar vision dictated by a profound and archaic love for life.
Life is always profoundly lush, abundant, exuberant, excess. Nature is never ungenerous and creation is teeming with life even in the driest desert depressions.
Gianna Moise has chosen life and nature.
Her works literally are a dancing chaos of tones and colors Gianna Moise's sensitivity is in fact based on the multiform baroque sensitivity, yet her subjects are simple, recursive, immediate. The artist mainly paints flies, dragonflies, fish, hearts, hands in pray with an experimental vein that leads her to use whatever material is within reach.
Gianna Moise follows the nature of the materials, bending her own modus operandi to the needs of the case. When she paints on the perforated cardboard, she uses colors that can fill the wide grid of holes that make up the texture. If she uses plexiglas combined with canvas, she is careful to enhance its virtues of transparency and shine. Basically, in the artist's research every material and every technique bend to the needs of a sweet experimentalism, whose origin perhaps lies in an attitude of oriental condescension towards the intimate essence of all things.
Gianna Moise is a natural creator. It is no coincidence that nature, with its forms, is also the main source of inspiration for the artist and is the reflection of a particular cognitive sensitivity.
Single Piece -
The Support is a Plexiglas transparent box -
The heart is one of the recurring themes in Gianna Moise's work.
Hollow hearts made of metal, glass or painted on colorful canvases.
The heart represents the overcoming of the rational dualism of good and evil, to embrace an unlimited positive polar vision dictated by a profound and archaic love for life.
Life is always profoundly lush, abundant, exuberant, excess. Nature is never ungenerous and creation is teeming with life even in the driest desert depressions.
Gianna Moise has chosen life and nature.
Her works literally are a dancing chaos of tones and colors Gianna Moise's sensitivity is in fact based on the multiform baroque sensitivity, yet her subjects are simple, recursive, immediate. The artist mainly paints flies, dragonflies, fish, hearts, hands in pray with an experimental vein that leads her to use whatever material is within reach.
Gianna Moise follows the nature of the materials, bending her own modus operandi to the needs of the case. When she paints on the perforated cardboard, she uses colors that can fill the wide grid of holes that make up the texture. If she uses plexiglas combined with canvas, she is careful to enhance its virtues of transparency and shine. Basically, in the artist's research every material and every technique bend to the needs of a sweet experimentalism, whose origin perhaps lies in an attitude of oriental condescension towards the intimate essence of all things.
Gianna Moise is a natural creator. It is no coincidence that nature, with its forms, is also the main source of inspiration for the artist and is the reflection of a particular cognitive sensitivity.
