work
Eco di Noi
| category | Digital art |
| subject | Abstract |
| tags | emotional art, contemporary art, digital art, abstract art |
| base | 100 cm |
| height | 100 cm |
| depth | 3 cm |
| year | 2025 |
Vortex – Echo of us
Plexiglass print
100 × 100 cm
2025
Limited edition of 10
Echo of Us belongs to the third phase of love: the moment when the relationship has passed, pain is slowly transforming, and what remains are memories. No longer events, no longer presence, but traces — vibrations that continue to resonate within the mind and the heart.
The artwork is structured as a sequence of concentric waves, subtle yet persistent. These visual vibrations represent memories themselves: contained, layered, and confined, unable to fully dissolve. There is no longer conflict, nor euphoria. What remains is a suspended emotional field shaped by remembrance and resonance.
The vortex is no longer forceful or luminous; it is slowed, restrained. Like a sound fading into distance, like an echo that loses intensity but never completely disappears. Muted colors and softened surfaces evoke a phase of emotional processing, where pain no longer dominates, yet has not entirely vanished.
The artwork emerges from a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as a tool for emotional translation, transforming a fragile and complex mental image into a coherent visual structure.
Through an integrated QR code, the artwork expands into a dynamic dimension. In the generative video, memories appear as branched forms: two recollections belonging to the couple, still connected by subtle threads and visible roots, yet already separated. The bond survives as a trace, a residual structure, while the two presences slowly drift apart. The viewer enters this resonant space, where what once was no longer exists as union, but as a shared echo.
Echo of Us does not depict what once was, but what remains: an invisible presence composed of both beautiful and painful memories, still resonating after love has changed its form.
Plexiglass print
100 × 100 cm
2025
Limited edition of 10
Echo of Us belongs to the third phase of love: the moment when the relationship has passed, pain is slowly transforming, and what remains are memories. No longer events, no longer presence, but traces — vibrations that continue to resonate within the mind and the heart.
The artwork is structured as a sequence of concentric waves, subtle yet persistent. These visual vibrations represent memories themselves: contained, layered, and confined, unable to fully dissolve. There is no longer conflict, nor euphoria. What remains is a suspended emotional field shaped by remembrance and resonance.
The vortex is no longer forceful or luminous; it is slowed, restrained. Like a sound fading into distance, like an echo that loses intensity but never completely disappears. Muted colors and softened surfaces evoke a phase of emotional processing, where pain no longer dominates, yet has not entirely vanished.
The artwork emerges from a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as a tool for emotional translation, transforming a fragile and complex mental image into a coherent visual structure.
Through an integrated QR code, the artwork expands into a dynamic dimension. In the generative video, memories appear as branched forms: two recollections belonging to the couple, still connected by subtle threads and visible roots, yet already separated. The bond survives as a trace, a residual structure, while the two presences slowly drift apart. The viewer enters this resonant space, where what once was no longer exists as union, but as a shared echo.
Echo of Us does not depict what once was, but what remains: an invisible presence composed of both beautiful and painful memories, still resonating after love has changed its form.
