work
ieriANCORAoggi
| category | Installation |
| subject | Architecture |
| tags | Galleria Marelia Bergamo , The Blank Contemporary Art Bergamo , Galleria Moitre Torino |
| base | 100 cm |
| height | 100 cm |
| depth | 0 cm |
| year | 2016 |
installation
technique: photograph and objects of use, hahnemuhle paper, embroideryHow does the language of remembering show itself into our visual imagery if not with powerless icons?
Does reminiscence convey history, with or without physical contact? In this series of images there is a half-empty domestic environment, the time of the family summer house is gone, and the human presence shows itself by its absence. The embroidery takes the object back into the exhibition space.
https://mega.nz/folder/yx1EFRjb#xW3LJWmPaOF8IrtBqoCeLg
technique: photograph and objects of use, hahnemuhle paper, embroideryHow does the language of remembering show itself into our visual imagery if not with powerless icons?
Does reminiscence convey history, with or without physical contact? In this series of images there is a half-empty domestic environment, the time of the family summer house is gone, and the human presence shows itself by its absence. The embroidery takes the object back into the exhibition space.
https://mega.nz/folder/yx1EFRjb#xW3LJWmPaOF8IrtBqoCeLg
