La deriva dei sentimenti

This work is part of the series titled "history books" whose treated theme is the cyclical nature of ruin, understood not only as a physical ruin but also as a psychic sensation, and where three different systems such as photography, edited text and painting are brought into communication. The goal of the research is the establishment of a dialogue between the sincerity of photography in telling the "ruin," the severity of printed ink and painting, which, by its body, also becomes objective by becoming real, thus breaking into space against the deafness of the surface.
The parts of the text that were not erased served as compositional input and now leave room for possible associations by the viewer.

Oil, gouache and collage on book