work
Pieno/Vuoto/Vuoto/Pieno
| category | Painting |
| subject | Human figure, Beauty, Abstract |
| tags | donna, woman, astratto, abstract, giappone, japan |
| base | 100 cm |
| height | 100 cm |
| depth | 4 cm |
| year | 2018 |
Acrylic on canvas
Unique work
To me, creating art means to tell.
It’s like when, before knowing the alphabet, we look at the illustrations: that’s how my painting is: simple, observable even without knowing how to read. It speaks of dreams and betrayed loves, of true joys and dark sorrows, of things happened and things that could happen.
To express emotions, I use bodies as pages of a diary to share.
Full/empty/empty/full
Life never occurred to be half-measures to me, I always had the feeling of full and empty and that is how I live it.
In life itself there are situations of Full and Empty. It is having a job or being jobless, living a love or being without and, in love itself, having the person closeby or far away, feeling in harmony with everything or realizing that the spark is gone.
The "full" is achieving a goal, eating in company, fulfilling a dream, building something, being at peace with oneself, gifting to others, even just a smile.
The "empty" is the opposite of everything.
Full and Empty do not exist together but they complete each other, like the positive and negative energies of yin and yang, without one the other would not exist. Full and Empty run after one another.
That is the reason for the partition of the two colours, and the reason for one figure, the Full, filling up half of the canvas leaving the other half Empty. The figure that is giving the back to the Empty that has been but looks into the Full that will be. The figure that slowly gets dressed with an imaginary kimono made of thousands of colours, in contrast with the empty monochrome in which it sits.
Unique work
To me, creating art means to tell.
It’s like when, before knowing the alphabet, we look at the illustrations: that’s how my painting is: simple, observable even without knowing how to read. It speaks of dreams and betrayed loves, of true joys and dark sorrows, of things happened and things that could happen.
To express emotions, I use bodies as pages of a diary to share.
Full/empty/empty/full
Life never occurred to be half-measures to me, I always had the feeling of full and empty and that is how I live it.
In life itself there are situations of Full and Empty. It is having a job or being jobless, living a love or being without and, in love itself, having the person closeby or far away, feeling in harmony with everything or realizing that the spark is gone.
The "full" is achieving a goal, eating in company, fulfilling a dream, building something, being at peace with oneself, gifting to others, even just a smile.
The "empty" is the opposite of everything.
Full and Empty do not exist together but they complete each other, like the positive and negative energies of yin and yang, without one the other would not exist. Full and Empty run after one another.
That is the reason for the partition of the two colours, and the reason for one figure, the Full, filling up half of the canvas leaving the other half Empty. The figure that is giving the back to the Empty that has been but looks into the Full that will be. The figure that slowly gets dressed with an imaginary kimono made of thousands of colours, in contrast with the empty monochrome in which it sits.
