work
uno, due, tre
| category | Painting |
| subject | Political / Social, Human figure, Abstract |
| tags | capovolto, monster, like, instagram, scrostato, muro, affresco, bambina, cinema, jarecki, film, capturing the friedmans, cronaca, recensioni, pittura, tela, transfer, collage, bambini, pedofilia, ricordi, famiglia, tecnica mista, uno, pittura, fotografia, acrilico, mostri, volto, collage, due |
| base | 103 cm |
| height | 100 cm |
| depth | 2 cm |
| year | 2022 |
acrylic, watercolor and transfer on canvas - single copy - triptych
One - 33 x 48 x 2cm, Two - 50 x 80 x 2cm, Three - 20 x 100 x 2cm
Series dedicated to the image of the collective unconscious. Appropriation of the "fury of images" that shapes our imagination and modifies the perception of reality. In "Uno" the image, made up of some photographs taken from the web, becomes a frame of memory, a childhood that gradually fades, never clear. In "Due" the images, taken from works of art published on Instagram, make visible the distorted perception of reality, the perception of the self and of the other as a monster, shapeless restlessness; in "Tre" the images are taken from frames of a film that reveals the human side of the "monster" in the family, combined with graphic reworkings of private family photos and newspaper pages that review my work: what we produce is who we are , and what we are we discover when something that apparently does not concern us creeps into our unconscious.
One - 33 x 48 x 2cm, Two - 50 x 80 x 2cm, Three - 20 x 100 x 2cm
Series dedicated to the image of the collective unconscious. Appropriation of the "fury of images" that shapes our imagination and modifies the perception of reality. In "Uno" the image, made up of some photographs taken from the web, becomes a frame of memory, a childhood that gradually fades, never clear. In "Due" the images, taken from works of art published on Instagram, make visible the distorted perception of reality, the perception of the self and of the other as a monster, shapeless restlessness; in "Tre" the images are taken from frames of a film that reveals the human side of the "monster" in the family, combined with graphic reworkings of private family photos and newspaper pages that review my work: what we produce is who we are , and what we are we discover when something that apparently does not concern us creeps into our unconscious.
