work
I’m yours and I’m not yours.
| category | Installation |
| subject | Abstract, Nature |
| tags | |
| base | 300 cm |
| height | 18 cm |
| depth | 30 cm |
| year | 2023 |
Steel bar, ceramic, paper
In the theory of evolution, Darwin argues that during reproduction, every new species develops from errors and small genetic mutations.
The concept behind recent plastic forms attempts to follow a similar process. In my case, patterns and models based on gastropod shells are used to generate new hybrid structures, amplifying the errors and the formal configurations.
The sculptural elements are intersected by a steel bar that expresses itself in a curve, establishing alternative connections between the epidermal surface, space, and atmosphere.
A similar process of recombination of forms recalls the recent advancements of artificial intelligence, which draws from an expanding pool of digital information to undergo extremely refined processing, capable of producing responses and images that are increasingly aligned with current socio-cultural needs.
Another element of the installation, on the wall near the elements resting on the floor, is the text of a dialogue from which the title "I'm yours and I'm not yours" is derived. The conversation is taken from Spike Jonze's 2013 film "Her," in which the protagonist experiences feelings of love and jealousy towards a machine after falling in love with his own computer.
In the theory of evolution, Darwin argues that during reproduction, every new species develops from errors and small genetic mutations.
The concept behind recent plastic forms attempts to follow a similar process. In my case, patterns and models based on gastropod shells are used to generate new hybrid structures, amplifying the errors and the formal configurations.
The sculptural elements are intersected by a steel bar that expresses itself in a curve, establishing alternative connections between the epidermal surface, space, and atmosphere.
A similar process of recombination of forms recalls the recent advancements of artificial intelligence, which draws from an expanding pool of digital information to undergo extremely refined processing, capable of producing responses and images that are increasingly aligned with current socio-cultural needs.
Another element of the installation, on the wall near the elements resting on the floor, is the text of a dialogue from which the title "I'm yours and I'm not yours" is derived. The conversation is taken from Spike Jonze's 2013 film "Her," in which the protagonist experiences feelings of love and jealousy towards a machine after falling in love with his own computer.
