work
Vortice in guerra
| category | Digital art |
| subject | Abstract |
| tags | contemporary art, abstract art, digital art, emotional art |
| base | 100 cm |
| height | 100 cm |
| depth | 3 cm |
| year | 2025 |
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
Se vuoi, prossimo passo possibile:
inserire In guerra come opera-chiave di denuncia all’interno del ciclo,
oppure preparare una nota curatoriale generale che spieghi il passaggio dall’amore privato alla guerra collettiva.
Questa è un’opera fortissima. Qui la serie diventa universale.
Vortice – In guerra
Stampa su metallo
100 × 100 cm
2025
Edizione limitata: 10 scrivi in inglese
Certo. Ecco la versione in inglese, formulata in modo chiaro e professionale per cataloghi, bandi e pareti di mostra:
Vortex – In War
Metal print
100 × 100 cm
2025
Limited edition of 10
Vortex – In War belongs to the hottest and most explosive phase of rupture. Here, love does not fade slowly — it implodes. Rage, anger, and resentment take over; the feelings that once united become stones to be thrown, emotional weapons turned against the other and against oneself.
The vortex becomes violent, rough, unstable. Figures are dragged into a tunnel with no balance, a collective fall toward a distant and ambiguous light. Yet this war is not only internal. The artwork expands into a broader dimension, becoming an explicit denunciation of real, contemporary conflict.
The protagonists are children: fragile bodies forced to move through a hostile space, searching for an escape, for light. Around them, surreal and demonic presences appear on the horizon — dark forces that observe and play with human destiny. The vortex becomes a metaphor for a world that devours the most vulnerable, turning innocence into a target.
The artwork is developed through a hybrid process combining the artist’s vision and artificial intelligence, involving multiple stages, different software, and extensive experimentation. AI is guided as an expressive and political tool, amplifying a mental image charged with urgency and tension.
Through an integrated QR code, the artwork opens to a second, deliberately counter-narrative reading. In the generative video accessed through the code, the story transforms: the children do not die, they do not disappear. They transfigure. Their bodies become flowers, color, returning life. The vortex dissolves, giving way to green fields where children can finally run, play, and exist.
This choice introduces a radically optimistic vision — a clear stance. In War does not merely denounce what is happening, but forcefully affirms the need to imagine a different future. An artwork that transforms rupture into a political act, and hope into an artistic gesture.
